Description
PENTHOUSE UK MAGAZINE VOL 22 NO 7 1987 CLEO ROCOS
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CONDITION: ALL Magazines are pre-owned . Magazines are generally in very good clean condition,
some issues have price/retail sticker,delivery name to cover,may have little soiling/creasing/spine wear
and/or minor tear/defacing where sticker(s) removed/re-pricing/detached centre page/advert(s) clipped . creasing to laminate covers . Please note : although we check magazines we do not check page to page , there may be a rare occasion a magazine may have a cut or torn page that we have not noticed .
Supplements / Free Gifts ( when applicable ) are NOT included unless stated[/box]
UK ADULT MAGAZINES
THOUSANDS AVAILALE FROM STOCK
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For higher value orders we will use Royal mail tracked service Shipping is from the UK : You may wish to check with your Country authorities regarding any possible import charges before ordering
PRODUCTS : All items you see on sale are available ( unless marked ‘ out of stock ‘ ) All items are original with a cover image of the item you are purchasing
Once you place an order it is binding : Before you finalize your order please note : We do not exchange : We do not accept returns : We do not offer refunds :
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Penthouse
is a men’s magazine founded by Bob Guccione and published by Los Angeles–based Penthouse World Media, LLC. It combines urban lifestyle articles and softcore pornographic pictures of women that, in the 1990s, evolved into hardcore pornographic pictures of women.
Although Guccione was American, the magazine was founded in the United Kingdom in 1965, and first published simultaneously in the UK and the US in March 1965. From September 1969, an “American Edition” was made available in the US.[2] Since 2016, Penthouse has been under the ownership of Penthouse World Media (formerly known as Penthouse Global Media Inc.), which filed for bankruptcy in 2018. Its assets were subsequently acquired in June of that same year by WGCZ Ltd., the owners of XVideos,[3] when it won a bankruptcy auction bid. Later on, Penthouse Global Media was spun off from WGCZ and rebranded as Penthouse World Media.
The magazine’s centerfold models are known as Penthouse “Pets”, and customarily wear a distinctive necklace in the form of a stylized key which incorporates both the Mars and Venus symbols in its design.
The first “Pet of the Month” was Denise Johns, who was also pictured on the cover. The first US Pet of the Month was Evelyn Treacher, who was on the cover of the first US edition in September 1969. The first Pet of the Year in the US was Stephanie McLean, pictured on the cover of the September 1971 issue.
Penthouse magazine began publication in the UK and the US in March 1965.[6] From September 1969, in an attempt to compete with Hugh Hefner‘s Playboy, an “American Edition” was also published. Guccione offered editorial content that was more sensational than that of Playboy, and the magazine’s writing was far more investigative than Hefner’s upscale emphasis, with stories about government cover-ups and scandals.
Writers such as Seymour Hersh, James Dale Davidson, and Ernest Volkman exposed numerous scandals and corruption at the highest levels of the United States Government.[citation needed] Contributors to the magazine included Isaac Asimov, James Baldwin, Howard Blum, Victor Bockris, T. C. Boyle, Alexander Cockburn, Harry Crews, Cameron Crowe, Don DeLillo, Alan Dershowitz, Edward Jay Epstein, Chet Flippo, Albert Goldman, Anthony Haden-Guest, John Hawkes, Nat Hentoff, Warren Hinckle, Abbie Hoffman, Nicholas von Hoffman, Michael Korda, Paul Krassner, Michael Ledeen, Anthony Lewis, Joyce Carol Oates, James Purdy, Philip Roth, Harrison E. Salisbury, Gail Sheehy, Robert Sherrill, Mickey Spillane, Ben Stein, Harry Stein, Tad Szulc, Studs Terkel, Nick Tosches, Gore Vidal, Irving Wallace, and Ruth Westheimer (Dr. Ruth).[citation needed]
The magazine was founded on humble beginnings. Due to Guccione’s lack of resources, he personally photographed most of the models for the magazine’s early issues.[7] Without professional training, Guccione applied his knowledge of painting to his photography, establishing the diffused, soft focus look that would become one of the trademarks of the magazine’s pictorials. Guccione would sometimes take several days to complete a shoot.
As the magazine grew more successful, Guccione openly embraced a life of luxury; his former mansion is said to be the largest private residence in Manhattan at 22,000 square feet (2,000 m2). However, in contrast to Hugh Hefner, who threw wild parties at his Playboy Mansions, life at Guccione’s mansion was remarkably sedate, even during the hedonistic 1970s.[7] He reportedly once had his bodyguards eject a local radio personality who had been hired as a DJ and jumped into the swimming pool naked.[8]
The magazine’s pictorials offered more sexually explicit content than what was commonly seen in most openly sold men’s magazines of the era. It was the first to show female pubic hair, followed by full-frontal nudity, and eventually, the exposed vulva and anus.[7][failed verification] Penthouse has also featured a number of authorized and unauthorized photos of celebrities, such as Madonna and Vanessa Williams. In both cases, the photos were taken earlier in their careers and sold to Penthouse only after Madonna and Williams became famous.
However, in the late 1990s, poor business decisions were made,[which?] and publishing control gradually slipped away from Guccione. In a desperate attempt to boost sales, the magazine began to showcase more “fetish” content, including subjects such as urination, bondage, and “facials.”[7][failed verification] This marked the beginning of the magazine’s downward spiral. Gone were the days of artistic and unique, soft-focus lens erotic photography, along with the investigative journalism that had brought the magazine success and respect. As a result, prominent companies no longer wanted their products featured in Penthouse and quickly had their advertising removed.
On January 15, 2016, a press release emanating from then-owner Friend Finder Networks announced that Penthouse would end its print operations and move to all digital. However, managing director Kelly Holland quickly disavowed the decision and pledged to keep the print version of the magazine alive.[
From Wikipedia, the free encyclopedia
